juis9:

Model Serafima Kobzeva is bound hand and foot by neon rope in this provocative photo shoot for Interview Magazine by inimitable photographer Van Sarki. Born in 1984, Sarki is the youngest of five children and was raised in Kentucky. He received his BFA in Studio Art from New York University and currently resides on what most would say is the wrong side of the Manhattan Bridge. Some of his editorial clients include Interview Magazine, Numéro Magazine, The New York Times, and Dossier Journal.

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maisonmartinmargiela:

Inside Spur Magazine’s April issue is an exclusive iPad Mega-pouch, featuring the famous MM6 ‘6’ hand, now on newsstands.
girlsandgold:

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MANIFESTO OF POST-FUTURISM

1. We want to sing of the danger of love, the daily creation of a sweet energy that is never dispersed.

2. The essential elements of our poetry will be irony, tenderness and rebellion.

3. Ideology and advertising have exalted the permanent mobilisation of the productive and nervous energies of humankind towards profit and war. We want to exalt tenderness, sleep and ecstasy, the frugality of needs and the pleasure of the senses.

4. We declare that the splendor of the world has been enriched by a new beauty: the beauty of autonomy. Each to her own rhythm; nobody must be constrained to march on a uniform pace. Cars have lost their allure of rarity and above all they can no longer perform the task they were conceived for: speed has slowed down. Cars are immobile like stupid slumbering tortoises in the city traffic. Only slowness is fast.

5. We want to sing of the men and the women who caress one another to know one another and the world better.

6. The poet must expend herself with warmth and prodigality to increase the power of collective intelligence and reduce the time of wage labour.

7. Beauty exists only in autonomy. No work that fails to express the intelligence of the possible can be a masterpiece. Poetry is a bridge cast over the abyss of nothingness to allow the sharing of different imaginations and to free singularities.

8. We are on the extreme promontory of the centuries… We must look behind to remember the abyss of violence and horror that military aggressiveness and nationalist ignorance is capable of conjuring up at any moment in time. We have lived in the stagnant time of religion for too long. Omnipresent and eternal speed is already behind us, in the Internet, so we can forget its syncopated rhymes and find our singular rhythm.

9. We want to ridicule the idiots who spread the discourse of war: the fanatics of competition, the fanatics of the bearded gods who incite massacres, the fanatics terrorised by the disarming femininity blossoming in all of us.

10. We demand that art turns into a life-changing force. We seek to abolish the separation between poetry and mass communication, to reclaim the power of media from the merchants and return it to the poets and the sages.

11. We will sing of the great crowds who can finally free themselves from the slavery of wage labour and through solidarity revolt against exploitation. We will sing of the infinite web of knowledge and invention, the immaterial technology that frees us from physical hardship. We will sing of the rebellious cognitariat who is in touch with her own body. We will sing to the infinity of the present and abandon the illusion of a future.


Franco Berardi aka Bifo, MANIFESTO DEL DOPOFUTURISMO [manifesto of post-futurism] via  eipcp.net (via underpaidgenius)

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